By Megan Lawton, Enterprise reporter
There’s a difficulty dividing Ok-pop followers proper now – synthetic intelligence.
A number of of the style’s largest stars have now used the expertise to create music movies and write lyrics, together with boy band Seventeen.
Final 12 months the South Korean group bought round 16 million albums, making them one of the profitable Ok-pop acts in historical past. However it’s their most up-to-date album and single, Maestro, that’s acquired individuals speaking.
The music video options an AI-generated scene, and the file would possibly properly embrace AI-generated lyrics too. On the launch of the album in Seoul, one of many band members, Woozi, told reporters he was “experimenting” with AI when songwriting.
“We practised making songs with AI, as we wish to develop together with expertise quite than complain about it,” he stated.
“This can be a technological growth that now we have to leverage, not simply be dissatisfied with. I practised utilizing AI and tried to search for the professionals and cons.”
On Ok-pop dialogue pages, followers have been torn, with some saying extra rules have to be in place earlier than the expertise turns into normalised.
Others have been extra open to it, together with tremendous fan Ashley Peralta. “If AI will help an artist overcome inventive blocks, then that’s OK with me,” says the 26-year-old.
Her fear although, is that an entire album of AI generated lyrics means followers will lose contact with their favorite musicians.
“I like it when music is a mirrored image of an artist and their feelings,” she says. “Ok-pop artists are rather more revered once they’re fingers on with choreographing, lyric writing and composing, since you get a bit of their ideas and emotions.
“AI can take away that essential part that connects followers to the artists.”
Ashley presents Spill the Soju, a Ok-pop fan podcast, together with her finest good friend Chelsea Toledo. Chelsea admires Seventeen for being a self-producing group, which suggests they write their very own songs and choreograph them too, however she’s anxious about AI having an impression on that repute.
“In the event that they have been to place out an album that’s stuffed with lyrics they hadn’t personally written, I don’t know if it might really feel like Seventeen any extra and followers need music that’s authentically them”.
For these working in Ok-Pop manufacturing, it’s no shock that artists are embracing new applied sciences.
Chris Nairn is a producer, composer and songwriter working beneath the title Azodi. Over the previous 12 years he’s written songs for Ok-pop artists together with Kim Woojin and main company SM Leisure.
Working with Ok-pop stars means Chris, who lives in Brighton, has spent a variety of time in South Korea, whose music trade he describes as progressive.
“What I’ve realized by hanging out in Seoul is that Koreans are large on innovation, they usually’re very large on ‘what is the subsequent factor?’, and asking, ‘how can we be one step forward?’ It actually hit me after I was there,” he says.
“So, to me, it is no shock that they are implementing AI in lyric writing, it is about maintaining with expertise.”
Is AI the way forward for Ok-pop? Chris isn’t so positive. As somebody who experiments with AI lyric mills, he doesn’t really feel the lyrics are robust sufficient for prime artists.
“AI is placing out pretty good high quality stuff, however whenever you’re on the prime tier of the songwriting recreation, usually, individuals who do finest have innovated and created one thing model new. AI works by taking what’s already been uploaded and subsequently can’t innovate by itself.”
If something, Chris predicts AI in Ok-pop will enhance the demand for extra private songs.
“There’s going to be strain from followers to listen to lyrics which are from the artist’s coronary heart, and subsequently sound totally different to any songs made utilizing AI”.
Seventeen aren’t the one Ok-pop band experimenting with AI. Woman group Aespa, who’ve a number of AI members in addition to human ones, additionally used the expertise of their newest music video. Supernova options generated scenes the place the faces of band members stay nonetheless as solely their mouths transfer.
Podcaster and super-fan Chelsea says it “triggered” lots of people.
“Ok-pop is understood for superb manufacturing and enhancing, so having entire scenes manufactured from AI takes away the appeal,” she provides.
Chelsea additionally worries about artists not getting the precise credit score. “With AI in movies it’s tougher to know if somebody’s authentic paintings has been stolen, it’s a extremely sensitive topic”.
Arpita Adhya is a music journalist and self-titled Ok-pop superfan. She believes using AI within the trade is demonstrative of the strain artists are beneath to create new content material.
“Most recording artists will put out an album each two years, however Ok-pop teams are pushing out albums each six to eight months, as a result of there’s a lot hype round them.”
She additionally believes AI has been normalised within the trade, with the introduction of AI covers which have exploded on YouTube. The quilt tracks are created by followers and use expertise to imitate one other artist’s voice.
It is this type of development that Arpita wish to see regulated, one thing western artists are calling for too.
Simply final month megastars together with Billie Eilish and Nicki Minaj wrote an open letter calling for the “predatory” use of AI within the music trade to be stopped.
They referred to as on tech corporations to pledge to not develop AI music-generation instruments “that undermine or exchange the human artistry of songwriters and artists, or deny us honest compensation for our work”.
For Arpita, an absence of rules means followers really feel an obligation to manage what’s and isn’t OK.
“While there are not any clear tips on how a lot artists can and may’t use AI, now we have the battle of constructing boundaries ourselves, and all the time asking ‘what is correct and unsuitable?’”
Fortunately she feels Ok-pop artists are conscious of public opinion and hopes there will likely be change.
“The followers are the largest half they usually have a variety of affect over artists. Teams are all the time eager to be taught and pay attention, and if Seventeen and Aespa realise they’re hurting their followers, they’ll hopefully deal with that.”